
Dear Reader,
I will do one final tweak tomorrow and move the furniture back into the room and then let us be done with the ceiling tile chronicles. I have become thoroughly bored writing about them!
Naturally, Word Raccoon wants to write about other things, too.
Such as how this gorgeous, cooler weather is so soothing. It’s almost as if summer has slowed briefly as we read on our porch between bouts of ceiling tile work. I only hope our state of dishabille did not frighten the better weather away.
WR and I were on the sunporch just after dawn, though it was chilly. We wrote two poems and a few hundred words in our novel. We knew the morning would be filled with the aforementioned unpleasantness soon enough, so we spent time fortifying ourselves with poetry.
The first poem I wrote was “I Want All of This,” and the second, perhaps the more interesting idea, is “Performing Human.” I got to thinking about how absurd it is that we pay money to sit and listen to a comedian point out the strange things humans do, and how that’s kind of messed up and maybe passive-aggressive and, of course, also funny. We all groan with recognition at hearing truths we would not dare say aloud.
I also spent some time just thinking about novel three and how the thread that carries the most plot is the most difficult to write because it’s easy to let those characters become props instead of fully realized people. I wrote a few hundred words, one complete scene and the beginning of a second.
I keep thinking about Amor Towles’ writing, listening to A Gentleman in Moscow today while working on the house, a book I’ve wanted to read for a while now. I’m about four hours in (how does that translate pagewise, I wonder?) and loving it. It makes me think about the handsome gentlemen of literature and otherwise. According to Henry Fielding, “Handsome is as handsome does,” and certainly that’s true. But there are also those graced souls who seem handsome in every possible way. The Count is one of those.
Already in the novel there is a lovely friendship between Count Alexander Ilyich Rostov and a little girl named Nina that I find unexpectedly heartwarming. She keeps drawing him into little excursions through the hotel, and somehow his life feels less confined as she shows him the hotel’s secrets and charms, though he’s previously lived in one of its finest suites, rather than the dinky room he now has.
A book that can hold your attention while you’re trimming the same piece of ceiling tile for the third time (!) is a rare thing indeed. This one did that and also reminded me of the months I spent in a hotel in China, going through every hallway, every open door. Discovering that one of the “elevators” was not actually an elevator at all. Finding out where they stored our luggage. I understand Nina’s delight in her indoors spelunking.
Ironically, what saves Count Alexander life is a poem. (I am giving nothing away; this all happens early.)
See? Poems are life!
Caution: if you are listening to it as an audiobook, do not do so on the porch with your windows open if there are little pitchers nearby. Generally it’s fine, but wouldn’t you know it, just as a scene I’d have preferred not to broadcast throughout the neighborhood came on, a father led his young daughter out for their nightly moped ride.
I leapt for the stop button.
A horse and buggy drove through town this evening. I heard the hooves first and thought I must be imagining them, but nope. A young woman in a mauve dress and white bonnet passed by a street over. I don’t know why the sound of horse hooves and other ambient sounds is so comforting. WR, naturally, wanted to climb aboard the first conveyance she saw today and drive away from the ceiling tiles.
Stand down, raccoon!
She’s not even listening; she’s just standing in the street.
Drema





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