Day Nine: Briscoe’s Mother, Jules Jenkins, and Blair Mountain

Please visit the gorgeous post over on Instagram created by A Blue Box Full of Books. She pairs Southern-Fried Woolf with a copy of Mrs. Dalloway! It gives me goosebumps to see my work side by side with Woolf’s.

One of the quirkiest characters in my book is Briscoe’s mother Jules. Let’s get into it.

Julia Buttersford Jenkins “of the Massachusetts Jenkins,” she tells singer Velvet Wickens when she meets her for the first time. (If you’re guessing that I borrowed her last name from Taylor Jenkins Reid, you’d be right. But please don’t tell Taylor. I’m pretty sure I made up Buttersford, but it’s just begging to be a name, so no regrets. It gives upper crusty, which is what I was shooting for. ;-))

Why is Jules from the East coast? That’s easy. I was born in New Jersey of parents who moved there from West Virginia for work. I spent the first eight or so years of my life there, and it holds a special place in my heart.

Why does Jules speak with so many accents? She suits her accent to the situation. She may not care about what she wears, but she cares about how she sounds. She enjoys it, and I quite admire people who have a wardrobe of accents. When she pulls out her Southern accent at the conference, it’s because she knows that’s what the attendees will respond to. When she greets V. with her best East coast accent, it’s to intimidate her.

Jules is an original. She’s outspoken, lusty, and smart though she does live alone on Blair Mountain. Maybe you know that Blair Mountain that I mention in my book is real, although I don’t know about the current condition of the fire lookout tower and the cabin.

Will you indulge me in a quick aside about forest fires, first? Every few years it seemed a forest fire threatened the mountains where we lived in West Virginia (my parents moved back there after the plant where my father worked closed down when I was about eight). One fire came so close to our house that volunteers wet the roof to keep the house from catching on fire. The fire did engulf the cemetery on the hill just beside the house. I was heartbroken because I have a set of twin brothers who died at birth buried there, and I was only ten(ish) during the fire and very tenderhearted. (Of course there was only a superficial burn of the cemetery, and no permanent damage was done.)

Why did Briscoe’s mother end up in West Virginia? When I first encountered Blair Mountain as a child, it was peaceful and pastoral, unlike its brutal history. It was the site of  The Battle of Blair Mountain which was fought between coal miners who wanted to unionize and coal company owners who retaliated with deadly force.

If you know anything about West Virginia, you know about the nasty doings of those coal companies, how they treated their workers like beasts and made them so financially dependent on them that they couldn’t leave. (If you’ve ever read Irving Stone’s novel about Van Gogh, Lust for Life  â€“ I highly recommend it – it’s much the same scenario that the miners face in that book. It’s probably another reason Lust is one of my favorites. )

(Can you tell I had relatives who were coal miners? My father’s father, Thomas Jefferson Sizemore, was called The Coal Miner Poet.)

I remember visiting the grounds of the lookout tower on Blair Mountain as a young girl first with a church group, not knowing the site’s history. We had our church picnic there and if memory serves, one of the ministers picked up a spent bullet casing and said something about the battle, but it didn’t stick with me at the time. I think I was more charmed with exploring the cabin that the tower keeper lived in, wishing I could live in it. I did climb partially up the tower, but I don’t remember if I was too scared to continue up (heights!) or if I was called away. Likely it was the former.

Now, of course, I know more about the battle and the lives lost. It’s sobering.

Thankfully, the mountain is now on the registry of historical places after a coal mining company allegedly tried to decapitate the mountain, initially getting that designation reversed.

 In my mind the mountain will ever remain that peaceful place on that day of the church picnic, the place with Jack in the Pulpits flowers and Queen Anne’s lace just off the path, and the sound of country gospel as the church people sang “I’ll Fly Away” and “When the Roll is Called Up Yonder,” accompanied by two men with acoustic guitars that were decidedly not in tune with one another, not that it hindered the singers’ zeal.

I will always see, in memory, the huge green utility wire spool laid on its side, a table for holding fried chicken, corn bread, and jugs of sweet tea. And the hand pump where we were instructed to wash our hands before eating. Its action enthralled me, and I wanted to play with it, though I was too well behaved to do that.

In my imagination, someone who Jules works with at the fictional University of Nashville knew of this place and offered it to her for the duration of her Woolf project which was only supposed to take a short time but that, I think it’s plain, may never get finished. She would have to give up a life that she’s quite happy living if she did finish it. The incentive is just not there.

Since Jules is from the East coast, you’d think she’d want to return there and find a real lighthouse instead of her makeshift one. Maybe not, though. We’re only given scraps of her life: her parents owned a soup company and were disappointed that she wanted nothing to do with it. The parents died in a boating accident before Briscoe could meet them. Are you as curious as I am to know what that was all about? I’m not planning a sequel any time soon (read: never), but I have questions.

One of the things I find most touching about Jules is that she carries on an “affair” with her own husband behind her daughter’s back, presumably to keep her daughter from false hopes that the family will ever live together again.

It’s not a real failing on Jules’ part, not being warm and motherly. It’s just who she is. Since Jules needs no one, she cannot comprehend that her daughter might need her. And yet that’s what makes Michael all the more alluring to Briscoe. Briscoe falls for his stage presence as much as anyone. She believes that his excess passion shown onstage carries through his life. She doesn’t understand that’s the only time he feels.

We get a big hint of this when he wipes his mouth with his shirt after she kisses him for the first time. I want to beg her to run then, but she just doesn’t know any better. (Is it just me or do you think that she marries WAY too young?)

Jules and her daughter bond over matters of the head, not the heart. This book is as much about a young woman who wants her mother’s attention as it is a woman who wants her husband’s undying love. It’s about learning what you can and can’t live without. I can’t say more, or I might issue spoilers, and that’s a no-no.

Though Jules sees the torment her daughter is going through with Michael, she lets her daughter live her own life, even when she can see that her daughter is coping with very unhealthy methods indeed. She believes in giving people the freedom she herself insists on. She just doesn’t see it as her place to interfere beyond the few attempts that we see.

I find Jules refreshing. She lives life on her own terms and yet somehow comes off as commanding, sometimes intimidating. She’s an expert in her field, and relinquishes a fortune because it comes with conditions. She fully claims her life, and I can’t help but admire that.

Who’s your favorite character in SFW?

Day Eight: Why Briscoe Has an Eating Disorder

TW: Talk of A Character’s Eating Disorder, Discussion of Virginia Woolf’s Possible Anorexia

Thank you for visiting my blog on Day Eight of my book launch! I’m delighted to have you here.

First of all, let me say that though I have the utmost sympathy for those struggling with eating disorders, I haven’t ever had to fight that battle and am not an expert on the topic.

One of the reasons I included an eating disorder in my book is because Virginia Woolf’s great-niece Emma thinks it could well be that her aunt suffered from anorexia, as, sadly, does Emma. From some of the journal entries by Woolf that I have read, I suspect the same. She speaks of being forced to eat, of not wanting to swallow anything. I even think that her infamous wrangling with her servant Nellie might have had to do with Nellie trying to make Woolf eat.

I think it’s important to consider what might be coloring an author’s writing. There are such subtle strokes of Woolf’s anorexic tendencies in my book that I’m not even sure I could find them myself, but I know they’re faintly visible in the domesticity and the ”angel in the house,” the ideal Victorian woman who cared for her spouse, children, and the kitchen exclusively. Was Woolf desperate enough to kill her by any means so that she, Woolf, would be free to write? Did she try to starve the angel? (I could say more, but this would get long, and time does not permit. Suffice it to say, my Briscoe is not only Lily trying to “see” the Ramsays, she’s also Woolf, in a limited sense.)

I knew from early on in the writing process that my Briscoe is obsessed with her weight (that I can unfortunately relate to), but her eating disorder only gradually emerged. In fact, I was kinda surprised by it until I thought about it. She is tolerating some major crud in her personal life, and while you might be able to rationalize it, in my opinion, your body can’t lie.

Add to that the pressures of being in the public eye, a celebrity’s wife. That means being scrutinized. She shares that people have even told her that Michael could “do better” than her. And since her rival is teeny tiny, she casts about for anything to blame but her husband. She settles on the size of her own ass.

I can relate to thinking you’re overweight when you’re not. Here’s a photo of me just a few years ago when though I knew I had lost weight, I thought I was still way too big. I was shy to have a full-length photo taken of myself. (Now I’d love to be that size or even just be able to work out like that again! I miss those active days. But it kinda pains me to even see this pic.)

(The photo’s a little blurry. This is at an art exhibit in Chicago that my mentor said I needed to visit to research my first book – she even lent us her pied-à-terre to stay at during our visit.)

No one has commented yet on what I see as Briscoe’s outrageous assertion that she’s “fat.” Most women aren’t considered plus sized until size 12, if labels mean anything, and I don’t think they should. I want it to be clear that Briscoe cannot see herself properly, and I think this does a good job of exemplifying that. (Sight or shortsightedness is certainly a theme in the book, an important one.)  We know by seeing how she views her body, that she probably isn’t seeing those around her quite as she should. (First person can be limiting; I had to use my authorly wiles to tease out whatever I could.) She worships her husband’s admittedly legendary musical gifts blindly, excusing him repeatedly until she can’t anymore.

Let me say as an aside that I am not half as cynical as Briscoe appears to be, but I believe that her cynicism is only superficial. She keeps hoping against hope that she’s wrong about Michael. I’m pretty sure we all want to yell at her that she’s not. As an author, it’s difficult to follow your character on self-destructive journeys and not want to stop them, no matter how much you know that this is the trajectory that they have chosen. The bullet is out of the gun now and there are only so many places that it can go at that angle, you know?

It’s hinted that Briscoe’s eating disorder first emerged when her mother left the family, and that she has battled it off and on for years, between bulimia and anorexia. From what I have read, eating disorders are often on a continuum, and I think this is what is happening for her. The more she goes against her beliefs, the worse off she is. She switches from too much cake (I did give her my personal vice there; any time I hear the word cake, I’m in) to not being able to eat anything.

That ultimate sacrifice that she makes for art
no, no spoilers here, but she shocked me with that! Obviously that triggered the worst of her eating issues, and why wouldn’t it?

In the end, it’s this very illness, however, her eating disorder, coupled with love and loyalty from an unexpected source that I believe saves her. But you have to read the book to figure out what that means.

Day Seven: My “Plumfield” and A LONG LISTING for SFW!

Welcome to Day Seven of my blog tour, sponsored by Madame Writer of Wrongs. So many thanks to her for sharing my book! https://www.madamewriterofwrongs.com/

First up, I just discovered that Southern-Fried Woolf has been chosen for the 2022 Somerset CIBAS Long List for Literary and Contemporary Fiction! I’m so pleased and honored!

One of the pleasures of writing fiction is exploring characters very different from yourself. When I was younger, unlike Briscoe, I wanted a large family. In fact, when I was in school in West Virginia I rode the bus every day past a huge, abandoned house that I always wanted to make into another Plumfield, the school for boys that Jo March created beginning at the end of Little Women, and, more so, in Little Men. But in my case, I wanted to make a home for children without parents.

I didn’t think it was fair that any child should ever feel unwanted, so I decided that when I grew up I would buy the “big green house” I called it in my head and renovate it and fill it. (I was testing actual house names but never landed on one.)

At the time, I didn’t realize it was a house with a historical background. It belonged once upon a time to Cap Hatfield of the Hatfields and McCoys feud, I’ve since discovered. (You can read more about Cap.)

Here’s a “before” photo of it from the West Virginia & Regional History Center. The house was beginning to show signs of ill repair even when I knew it, but it still seemed like something that could be salvaged at that point.

The last time I saw it in person twenty-some years ago, it looked more like the photo below that I found on Pinterest. I’m not sure if the house still stands, and I’m afraid to ask anyone. Obviously, at this point it is beyond repair and probably should be razed, but I don’t want to think about that.

I spent many an hour in my head renovating and refurbishing that house, admiring its bones, outfitting it with strong walls and flowing curtains.

I would read books with the children I would populate it with, I decided. I would take them wading in the creek and I would cook a country breakfast for them every day. There would be bedtime stories and fireflies. We would take walks and go into the mountains for picnics, pick wildflowers. They would learn to love the hillsides of trilliums as much as I did. I would share my reading rock with them. I would give them a safe harbor and life would be beautiful.

My writing would be much like Jo’s, I thought, confined to weekends and nights. They would be truly mine, these children of my heart, because I believe that love comes from the heart and not the genes. (Even to this day I favor TV shows with large families.)

While I did not end up with the twelve children that I aspired to, and alas, I did not buy the house and renovate it because life carried me elsewhere, my hubby and I did adopt two children, so that’s pretty cool. It was actually our children who told us that they didn’t need more siblings, isn’t that funny? (I don’t think they wanted to share us.) To be honest, I’m guessing twelve might have been a bit too many, even for me.

Here’s a photo of the kiddos just after we moved to Nashville. It still delights me! I take immense pride in my children, and I consider them to be a large part of my legacy.

In Southern-Fried Woolf, Briscoe claims not to want children, but isn’t it more likely that she thinks Michael would be an absentee father, and that their life isn’t suitable for bringing up children? It’s easier for her to just say that she doesn’t want children, I believe. What do you think?

Why is she studying the Ramsays so carefully? It’s not just the parents she’s curious about. She’s never had siblings; she doesn’t have children. I think she’s very much weighing the very things that Lily weighs in To the Lighthouse.

Oh, Briscoe. You’ve got this.

Happy Sunday!

Drēma

Day Six: This is What Saturday Looks Like

Hey there, friends!

This is Day Six of ye olde blog tour. The lovely Kat of Cornwall, England, has shared about my book on her website, and I’m so grateful. Yes, please sign up for prizes and read chapter one if you haven’t yet over there! And thank you, Kat!

Today, Barry and I recorded a podcast episode with historical romance author Anne Armistead, another writer friend. (The episode will be out as soon as I can find time to edit it, so probably the middle of February? We try to put one out every two weeks.)

She, too, visited Paris this year, and we were able to compare visiting in June (which we did) versus in November, which is when she visited.

My dear husband is filling his schedule up before and around V-day with band gigs. I told him I suppose that’s okay, but he’s going to owe me when he does have some time off. Where should I make him take me? We went to Chicago one year for Valentine’s Day. (This was supposed to be his “dad band” phase where he only plays a few times a year. Hmmm
LOL.)

My copy of Radical Woman by Maggie Humm came in today. I love the look and feel of it. I have a feeling that tomorrow, while DH and his merry men practice music, I will be reading.

I’m working on a longer post for tomorrow. I just don’t want to rush it tonight.

Have a marvelous evening!

XOXO,

Drēma

Day Five: Books I’m Reading

I’m grateful for Sadie over at Sadie’s Spotlight for sharing about my novel today on this, the fifth day of my blog tour. Thank you, Sadie! You know the drill…go register for those goodies!

Sorry that I’m getting around to posting this so late, but it’s been a full day.

But hey, I’m about to finish washing the dishes, so that’s something to look forward to, right? (Insert cry emoji here.)

A big thank you to all of you who have bought my book thus far. I’m really pleased with how well it’s done in just four days. Considering what a struggle it was to figure out what this crazy tome wanted to be, I’m amazed.

Two books on my mind today: I’m currently reading Professing Criticism by John Guillory. You can learn more about it by reading this New Yorker article, which is what brought it to my attention. I’m not very far into it, but I’m intrigued.

The second is a novel that just came out in early January, Radical Woman: Gwen John & Rodin: A Novel, by Maggie Humm, and my copy is arriving tomorrow. I can’t wait! You might remember that she wrote Talland House, a novel about Woolf’s Lily Briscoe, a very different Briscoe than mine. I need a nice, thick book to read, and I’m eager for it. I’ll write about it after I’ve read it.

Be well, be happy.

Drēma

Day Four: Belated Happy 141st Birthday, Virginia!

Last night I was visited by an old friend. Well, actually she’s been staying with me for three days, or should I say nights. Insomnia. As a result, today will be a truncated post. You don’t mind, do you?

First up, let me give my deep appreciation to Steph over at “A Dream Within a Dream” for sharing about my book. As always, take a look to enter for that gift card, as well as an e-copy of Southern-Fried Woolf.  Thank you, Steph!!

Insomnia not only leaves me exhausted, but she also causes me to doubt everything I’ve said or written. That blog post I wrote? Maybe it was too long, or boring. That email I sent? That was beyond dumb. No wonder it didn’t receive a reply. Why do I bother? That pitch I wrote? Useless. I should give up. (I rarely think like this when I’m not sleep-deprived. Then again, maybe I’m sleep deprived because I’m thinking of these things. Chicken/egg?)

Why can’t insomnia remind you of all of the fun, pleasant things in life while you writhe in bed watching your 200th (I’m exaggerating) YouTube short? Why can’t I write when I’m experiencing insomnia?

Anyway, as a result of my grogginess, today I’m just going to share some fun photos.

First up, here is a photo of two incredible gifts one of my writing besties, Cindy Lane, sent me. We’ve gone on several group trips abroad together, and we were roommates on the organic farm our group visited in Italy. I always wished I had her measured, careful approach to life and writing.

Erin, Cindy, me, and Liza at Spannocchia, in Tuscany. I’m clutching my journal because I participated in a reading that night.

Cindy is an incredible writer. I’ve often begged her to finish her book that I helped workshop in Ireland. I know she’s a busy person, but here’s hoping this is the year! I need that completed novel. (Did you hear that, Cindy? Did you? LOL.)

When I opened the box that Cindy she sent me, I couldn’t stop touching the books. And when I looked inside Lighthouse, I couldn’t help but weep. The first is a holograph draft of Lighthouse including Woolf’s notes. Did you notice that Cindy has reading tabs in Lighthouse! I mean, that’s like being able to discuss a book with a friend when they’re not even there, isn’t it, seeing what they marked?  I was incredibly excited to see those. And A Writer’s Diary is a dream for writers. As a fan of Woolf, I cherish it, but also as an author: I can read her thoughts on her writing. Ah, Cindy, you’re the best!

Also, Hubby and I were playing with AI-generated artwork, and asked it to create a country-themed Virginia Woolf. See what it created! Fun! Do you think it looks like her at all? (The program cut the top of her hatted head off, not me.)

Yesterday was Woolf’s 141 birthday, so no wonder I wrote about her in my post then, though I hadn’t intended to!

Happy Belated Birthday, Virginia!

Drēma

Day Three of the Tour: Flowers

It’s Day 3 of the Southern-Fried Woolf blog tour! Thanks so very much to Virginia Lee for spotlighting my book! As a blanket statement, if you visit any of these stops you can sign up to win that bookshop.org gift card. Go get it!

While I can’t say I’ve ever been one to pay much attention to Miley Cyrus (I don’t mean that disrespectfully, I’m just older than most of her fans), lately I’m seeing her everywhere. Over the holidays we watched her and Dolly Parton perform “I Love Rock ‘n’ Roll” together on Miley’s New Year’s Eve show. Those outfits! And if she and Dolly are tight, she’s okay by me!

Then when we watched Ms. Dolly get inducted into the Rock & Roll Hall of Fame recently (we’re behind this year), there she was again. (BTW, if you haven’t seen Dolly’s stunning display with her newly penned “Rock Song” complete with – wait for it – an electric guitar, what are you waiting for? I was literally screeching with surprise and delight.)  

Photo by Jessica Lewis Creative on Pexels.com

A moment: I don’t know if I’ve ever mentioned this, but Barry and I were asked to go to Dollywood to help out at the merchandise table of a dear sweet gospel star once, and of course, while that wasn’t something we usually did, we agreed to because of who she was and because who wouldn’t want a free trip to Dollywood? (I don’t often get starstruck, but I remember feeling so dumb telling her how poetic her lyrics are. She was as gracious as you can be.) I remember watching her from the wings of her concert, seeing the absolute adoration on the faces of those in the audience. She was magnificent and beloved.

While we there, the woman’s manager scored us two tickets to see Dolly in concert! We were stoked, but there was only one problem: we had our son, Zack, with us, too. “No worries,” the manager said, “We’ll get him in.” And let us just say that our son had a seat much closer up front than we did, no ticket required.

Most recently, Miley has been coming up in my feed with her song “Flowers.” If you’re me and you have Virginia Woolf on the brain, you immediately think of Mrs. Dalloway and that she said she would get the flowers herself. See, Woolf was ahead of everyone.  While there are multiple readings to be made of Woolf’s line, today I choose to see it as Mrs. Dalloway (Clarissa) saying she wasn’t waiting for either her husband or the servants to buy her flowers. The irony is that her husband, Richard, does buy her flowers later in the book, red and white roses, and he means for them to say what he admits that he is too lazy and shy to say: he loves her. (Flowers are a theme in that book, but I won’t go there right now.)

I also won’t get into the salacious side of Miley’s song and the unmitigated shade (check out that gold dress; that’s no coincidence) in her video and the release date of it, but it does occur to me that Briscoe could well have written that song. She’s so strong. (And I really like the song.)

Briscoe has been surrounded by music, country music, since birth. Her father was a musician; she was (no doubt) in the studio with her father during many a session. She writes songs. She plays guitar. She sings. But she’s put that aside. (Am I the only one who wants to scream at her for that? Sure, Michael’s gift is important to the world. He seems to have something special, but that’s not to say hers isn’t just as important, that she doesn’t have just as much to say. A careful reader might pick up something about her and her future with music. Just sayin’.)

I am incredibly thankful for the people who have taken the time to congratulate me on SFW’s release and to let me know how much they are enjoying it. My inbox, my messenger, my phone, etc. is overflowing with the love, and I appreciate it so much. Ah, you do a writer’s soul good.

P.S. Grab SFW now, if you haven’t already! https://www.amazon.com/dp/B0BPTCV3F5?ref_=cm_sw_r_apin_dp_S6N19Q7132668JXBXZM5

Drēma

A Deep Dive into the Woolf Conference Chapter

Day 2 of my virtual book tour for Southern-Fried Woolf is here! So many thanks to Two Cool Chicks for sharing. BTW, you can sign up to win a $25 gift card to bookshop.org over there, too!

There were a couple of neat tidbits that I wanted to dig out to share with you, but could I find them today? I could not. I will keep looking for them.

Coneflowers. Photo by Rami Tayyem on Pexels.com

Here’s a section from a chapter in which Briscoe and her mother go to a conference:

Just last year my mother and I attended a Woolf conference.

Mother’s emails leading up to the ask were uncharacteristically adorned. She writes about the approach of fall, the squirrel activity in and around her cabin, (which she knows interests me), and, oh yes, she will be attending a Woolf conference that weekend.

            “Your research would benefit,” she says.

            I write back. “Is that your way of asking me to go with you?”

            Almost immediately: “If you want to.”

            “You don’t have cancer or something, do you?”

            “You wish!”

            Do I want to share a room with her for a weekend in some predictably armpit hotel? Michael and I just happen to not be on the road then, a fact that is obvious if you track his tour online, which makes me suspect my mother’s been sleuthing. Unless I invent a business meeting or a mystery trip, I have no excuse not to go, and she knows it. 

            I discover through some online sleuthing of my own that my mother is the plenary speaker for the conference. Somehow, she neglected to mention that.

             I agree to go to the conference.

Turns out my mama is a fish in Woolf circles. As in a big fish. As in THE academic rock star – scratch that, the equivalent to me is country star – at this conference. Here in the marbled and chandeliered lobby of the Marriott (town undisclosed due to lack of relevance to anyone with a pulse) with its 60’s- vibed conversation pits and multiple check in/out kiosks that will eventually put desk clerks out of work but to which my mother and the line of introverted academic conference goers gravitate, we are stopped every three feet by people who “just want to say hello” to my mother.

“This is like being in public with Michael,” I say to my mother. She basks in the adoration, unable to hear me. Which, truth be told, shocks me, misanthrope I thought her to be. When we register at the table with the ubiquitous ruffled skirt, we are handed packets of material and a bag of swag. I dig in to see what Woolfies consider fun freebies.

            I immediately toss the lanyard with my name on it back into the limp canvas bag when it comes into my hands. There’s no way I’m going to wear that. Maybe I’m a lit geek, but there’s no reason to be branded as one outside of the conference. I try not to think about the irony that the bag advertises books but is in no wise sturdy enough to hold more than a couple of paperbacks.

The bag also contains sticky notes advertising a small press (keeping those, thank you very much), stacks of brochures (I promptly toss mine into a nearby recycle bin), a handful of hard candy that is not worthy of bearing the title. These I put on the nearest table. I’ve seen better candy at parades. (I do keep the chocolate ones because inferior chocolate is, arguably, better than none.)

Why did I set Southern-Fried Woolf in 2018? That’s simple – I was told “everyone” was doing it back when I was finishing up the novel. That is, several notable writers decided during the pandemic that it would be easier to set their novels before it since we didn’t know how things would pan out. While I think it wouldn’t have been too hard to have adjusted it back to present time, I decided that I didn’t mind leaving it in 2018. There were very few changes needed, and Twitter had a stronger presence in 2018. In one of my favorite chapters in the book, Briscoe (the book’s main character) live tweets a talk her mother gives at that Woolf conference mentioned above. It was so much fun to write that chapter! Since we’re likely seeing the social platform’s last moments, I see what I wrote as a bit of a time capsule.

Although truth be told, I was the one coming back to a shared hotel room at a conference once upon a time long after midnight, having stayed at the social event until the music stopped. That wasn’t Briscoe or Briscoe’s mom, that was me. My roommate groggily asked if I had had a good time. I said I had, before changing into my pj’s and getting into my bed. (I did NOT go off anywhere with a curly headed grad student named Marshall or anyone else!! I did dance en masse with a group of academics that I didn’t know, which I really enjoyed.) 

Also on the timing front: “Find My” was once the “Find My Friends” app, I do believe, so I kept that in the current edition. Until recently, I never paid attention to either version unless I lost my phone. But after having heard about a woman who was only found after an accident through her phone, I decided to share my location with my hubby. I told him he did NOT have to feel obligated to share back. I just wanted him to be able to find me in case I got lost in a snowstorm or something. (Welcome to my life with anxiety; the most outlandish things can seem possible, nearly imminent.)

Making up the titles of the conference lectures was a hoot! I really would love to hear lectures based on those. Tell me, when you read the book, which you like best. (I want to list them here, but they’re one of my favorite parts of the book, so I won’t.)  

And I did actually hear someone “sl*t shame” a woman at a conference (not a Woolf conference; I’ve never had the privilege), which I thought was harsh. Being somewhat prudish myself, it was fun to allow Jules, Briscoe’s mom, to be as adventurous as she wanted to be.

The more topical, superficial, speculation on Woolf’s life brought up during the conference scene is modeled after some of the literary podcasts I listen to. I love it when someone enjoys an author’s work so much that they want to think about their day-to-day lives, want to know all the deets. Sure, sometimes it’s a little prurient, but I’d rather see engagement with an author on any level than see her forgotten.

(While it’s not quite the same, I really do wonder why we are shown the Ramsays’ large family without seeing them being intimate with one another, not even a “time-to-put-your-bookmark-in-Mrs. Brady” moment when a lamp is discreetly switched off. I’m guessing they have a pretty great sex life: she’s a withholder; he’s entitled. I can see that leading to some fireworks.)

In case it’s not obvious, one of the bonds that Briscoe and Michael share is a physical one. Science and psychology are discovering that pheromones can keep couples together when common sense says they should part, or so I’ve been told by greater minds than mine, if I understand that correctly. Yet Briscoe says she’s just as lonely after sex with Michael because for him, it’s performative. He can’t get close to people, although we are never told why not. (As the author, I have my suspicions, but I’m not telling. I could be wrong.)

I opted for us to see the couple “together” on occasion in case their tie doesn’t immediately make sense. Initially, the scenes were more detailed, until I realized that all I was trying to convey is that Briscoe is physically drawn to him, regardless of his failings. They’re not particularly sexy scenes; they’re not meant to be. But clearly, in that arena, she’s a happy woman.

How can Briscoe be angry with Michael when he’s more to be pitied than not? She sees him as the human he is and not as her spouse with all of those exhausting expectations. I think one of the most telling scenes of this is when she asks Michael
well, I’ll let you find out what she asks him, but you’ll know it when you read it.

I’ve often imagined how sad and lonely a life of fame must truly be, except for those rare occasions when it’s heady. I’ve met my share of celebrities of varying degrees and that’s been my takeaway: privacy is precious and to be treasured. Trust is difficult. Discretion is nearly nonexistent. Not that it’s ever been offered me, celebrity, but I would refuse it if it were.

I also enjoyed Jules having her moment at the conference, and Briscoe witnessing it and her mother’s power in the academic world. I wanted to parallel celebrity in various arenas to validate finding value in anything that means something to us, rather than in what society tells us to value. I believe anything we do well can be counted as art. Well, almost everything. But some things are more a matter of taste.

Then, of course, there’s Jules’s moment of doubt at the conference, of wondering if she has made the right career choice. She admits the truth: she chose the study of Virginia Woolf’s work over her own family. Briscoe tells her that she, Briscoe, is still in her life, but her mother doesn’t accept Briscoe’s glossing over the truth: they are profoundly disconnected. (Could this be yet another reason that Briscoe fell for someone like Michael?) Though this moment is meant to be humorous (you should have seen what word I originally put in the text! I ultimately decided it was too outrageous), it’s another moment of healing.

We learn at one point that (a tiny spoiler here) Briscoe’s father visited her mother regularly after she fled to her lighthouse substitute, the watch tower (which is phallic shaped; let us make of that what we will) but secretly. I think much can be made of that, too, some of it seemingly contradictory. (If I had had my way, we would have seen more of Briscoe’s dad in the book, but it wasn’t to be. It didn’t fit the trajectory. I was surprised to see more of him weaving its way in during the pandemic, and I even ordered a packet of coneflower seeds that I have yet to plant. Hence the photo in this post. But I digress.)

I don’t want to spoil a certain kissing scene in the chapter for you, but I thought it was funny on the page. If it happened in real life, those kissed would have plenty of reasons to object. That, too, was fun to write. Unlike me, Briscoe has someone writing her dialogue. I envy that. I often say I’d like to have a backspace button for when I’m speaking.

The link for my book, again, if you’d like to know more about all that kissing


Let the (Virtual) Book Tour Begin!

Southern-Fried Woolf is HERE!! If you want to buy a print copy, I recommend this bookshop.org link for the best price. (I’m all about that.) Here’s the Kindle version.

Thank you to Mythical Books for sharing the first chapter of my book on this first stop on my tour. I appreciate it so much, and I hope you’ll take a look at their site and grab that sneak peek of my novel.

As I thought over what I posted yesterday, I worried that I had made it seem as if everything about this book was, well, drudgery. (I tend to avoid that word for obvious reasons.) That’s certainly not true.

Once I figured out how to blend the essay with the story, I had tons of fun allowing my characters to misbehave and then pulling them back just a bit. I had a tough time not allowing Briscoe to be more sympathetic. She’s 28, and her everything is being threatened. Considering that, I think she’s plenty sympathetic towards those who have wronged her.

(In the final edit, I got rid of quite a bit of profanity, because I realized it was only there as a placeholder as I helped her gather courage. The more courageous she became, the easier it was for her to say what she felt, to confront those she needed to confront.)

Also, that dear friend that I mentioned in my last post who told me I might have to choose a different topic when I got stuck writing this book really did mean well. He’s a musician, not a writer. I think he just felt for me as he and his beloved heard me try to explain what it was I couldn’t figure out.

And I have a lovely group of people in my life who support my writing, who have read early drafts of this book and who have cheered me on. Any hesitation on the part of mentors was more because of the experimental nature of my book. How can you tell someone how to write something when it’s not your run-of-the-mill novel?

It’s the strangest feeling, knowing that something that I spent so much time and care on is out there now. It’s not a pile of pages I am crouched over at the beach, red pen in hand. It’s not something that causes me to eat half a pack of crackers as I try to imagine how I am going to make this palatable, entertaining, and yet, hopefully, smart.

A kind friend just wrote to tell me he has ordered a copy of my book. I remember Barry and me sitting across from him at a restaurant in Greece near Sounion, just after we had seen Lord Byron’s graffiti at/on the Temple of Poseidon, hearing our new friend’s fascinating tales of his early career. (I’m not sure how much I’m allowed to share, so that’s all I will say, but Barry and I were mesmerized.) We shared a bottle of red while we watched the sun set over the Aegean Sea. It’s good to have interesting friends.

I want to thank all of you who have been on this journey with me, in large ways or small. I am so grateful for all of the wonderful people in my life who have been patient with me as I’ve grown and changed, as I continue to do so, both as a writer and as a person.

To paraphrase Lily Briscoe says in Lighthouse, for better or for worse, with this novel, I have had my vision.

Happy Book Birthday (Tomorrow) to Southern-Fried Woolf

The other day I stared out of the kitchen window and allowed myself to celebrate finishing this novel. I allowed the pride of creation to fill my eyes, acknowledged the bravery of sharing something that is so precious to me.

This novel has been the most difficult thing I have written so far. Those I respect most either thought it a dubious idea in the beginning (because of the essay aspect and/or because it’s not straight literary fiction) or were mum, which was worse. I had one dear soul, when he heard how lost I was in the woods of my idea a few years ago, say, “I think you’re just going to have to choose another idea.”

I’m here to tell you, his kindly meant words made me more determined than ever to birth this stubborn child. I had to find a way to thank Virginia Woolf for all she has done for me. I had to help others see that she’s ours, too. We don’t have to have PhDs to claim her. Our affection is just as valid.

If you’re not familiar with her work, dive on in! This is an invitation to that, too. I’m not a scholar, just a fan.

Tomorrow begins the public life of Southern-Fried Woolf. My first novel, Victorine, was published at the beginning of the pandemic
yikes! At the time, I thought, “Aha, I will schedule only online tours in the future, so nothing can go wrong.” Reader, something (some things) went wrong.

Between bad weather (in California, of all places) causing delays and a nasty case of the flu over here, and the frantic, last-minute revisions to my book that I already told you about, I was really worried about meeting my launch date. (Self-imposed, but still, things were already in motion.)

But here we are, tomorrow is launch day, and you will be hearing from me quite often in the coming month (like, almost daily), so buckle up, as I share links to my book tour.

So many, many thanks to Jaime over at Rockstar Book Tours for setting up this fantastic tour. She is truly a rockstar who took a chance on this humble, country-inspired novel.

By the way, yes, authors still read as they’re writing. After too many fluffy books and movies during my illness, I needed something meatier, so I settled down with my friend Patricia Hudson’s wonderful book, Traces, about Rebecca Boone, Daniel Boone’s wife, and two of his daughters. It’s excellent, very tenderly written, and obviously it highlights those often neglected by history, something I wholeheartedly advocate. Barry and I will be interviewing her next month, so more later on her.

As proof that I am feeling better from this dastardly flu, last night I sang karaoke (at home, alone; I know, I’m a total loser) songs of some of my favorite country singers: Loretta Lynn, Dolly Parton, on and on. I must admit that some of my pop favorites joined the chat, too.

I was trying to find a sweet song to record to send to my daughter, but I couldn’t find one that spoke of love but wasn’t romantic. Am I going to have to write one?

Today’s singing was what I call the “smooth” singers: Carly Simon, Carole King, Karen Carpenter, Ella Fitzgerald. A whisk, by the way, makes an excellent faux mic while you’re cooking/singing. Dear Reader, have I just invented a new Olympic sport? 😉  

And remember that crisis with my third novel I mentioned a few days ago? When I cut away the dross this week, yup, that particular relationship is the one that’s currently central. That wasn’t my plan, and no good can come of it, but it has to play itself out. I guess that’s what we call tension, which is crucial to keeping a reader. I mean, I already know the book’s ending, so I suppose I will just have to plot backwards. (No, I’m not telling you the ending, though it’s sweet of you to care. Besides, it might change between now and whenever I finish the first draft.)

By the way, have you seen Kristen Cruz’s coffee singing videos? I’ve been watching her for a while now, but just thought to mention her to the hubby today. She. Is. Amazing!

Here’s the crass part (not really, because I think you will enjoy my book) where I provide you with the link to preorder my second novel, Southern-Fried Woolf, available in both print and ebook formats, tomorrow, January 23, 2023.

Thanks to you all. I appreciate you!

Drēma

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