A Highly Incomplete Guide to My Podcast Playlist (in No Particular Order)

When I was a kid, I used to listen to AM radio at night to fall asleep. I loved talk radio and whatever came on. News, interviews, DJs.

Unlike most people, I even enjoyed what they said between the music.

Maybe especially that. 

My progression to podcasts was natural, and I’ve been listening since the early days of the medium.

Some shows are regular listens. Some drift in and out depending on the season.

And lately there has been a little extra activity on the audio front because Word Raccoon occasionally gets inspired enough to record poems on our podcast, which she approaches with great seriousness.

Mostly. Though there have been some complaints about the sound of snack wrappers rattling and trains in the background.

In no particular order, here are some words in Word Raccoon’s ears on the regular.

The Lazy Genius

Word Raccoon appreciates any philosophy built around the idea that you should care deeply about a few things and stop overcomplicating the rest.

This aligns nicely with her own life strategy:

Write poems.
Eat snacks.
Ignore most other systems.

You might remember that I met Kendra at a book signing. She’s a peach.

Happier with Gretchen Rubin

Co-hosted with her sister, TV writer Elizabeth Craft, this show explores habits, personality tendencies, and in general, how to build a happier life.

I remember listening to an episode in Japan while getting ready one morning before heading out to navigate the labyrinthine train station in Kyoto to get to class.

Side note: I never really “learned” how to get there. After the first day I just felt my way through the maze. Apparently something in me knows how to solve mazes.

But back to Rubin.

I especially enjoy her “four tendencies” framework and have strong-armed many people in my life into taking her quiz.

If I’ve met you, I’ve probably tried to figure out which tendency you are:

Obliger
Questioner
Rebel
Upholder

Which do you think I am?

(Hint: my last sentence ended with a question mark. But Word Raccoon leans hard towards Rebel. The tendencies can overlap.)

Happier in Hollywood

I love Liz Craft and Sarah Fain, her childhood best friend and longtime writing partner. They’re TV writers.

And psst…one of them also co-hosts Happier with Gretchen Rubin.

They once hosted a writing retreat for people hoping to break into television writing, and I was very tempted to go (couldn’t afford it, but tempted) just to talk writing with them, even though I’m not planning to write for TV.

(WR, don’t let me say that. We know what happens when I do. See: poetry.)

Also, Sarah has a Substack newsletter, Chickening Out, where she’s cooking a roasted chicken recipe every week in 2026 to determine the best one.

Yes, I’m subscribed. I’m feeling inspired.

Clutterbug Podcast

I’d listen to Cass (“Clutterbug”) talk about anything.

This podcast has done more for the drawers in this house than anything else. She gives you permission to just release the things. MOST of the things! WR loves permission.

Alas, she also loves her earrings.

Cass also has a “tendencies” framework. (Maybe I just like frameworks? I do love a good quiz.)

Apparently I’m a butterfly: I like to see pretty or important things so I don’t forget them, but I also want everyday clutter out of sight. (Most artists fit this category.)

Actually, I tend to watch her YouTube channel more often than listen to the podcast. She has great comedic timing and is refreshingly herself. Does she overshare sometimes? Sure. But she’s so friendly it’s difficult to mind. 

Freakonomics

WR enjoys any show that calmly examines the hidden logic behind everyday systems.

Why do humans behave the way they do?
Why do institutions function the way they do?

These are questions raccoons have been asking about humans for a very long time.

No Stupid Questions

This podcast pairs behavioral economist Stephen Dubner with psychologist Angela Duckworth.

The premise is simple: ask questions that seem basic but turn out to be surprisingly deep.

WR appreciates the reassurance that curiosity is never a bad thing.

Also that some questions don’t have tidy answers.

As noted, WR has LOTS of questions.

Fresh Air

Terry Gross interviewing writers, musicians, actors, and thinkers.

Word Raccoon approves of any show where intelligent curiosity is the central activity.

Also, many of the guests are people she would happily invite to tea.

(The mug version of Vonnegut may already be attending.)

The Book Review Podcast

Perfect for literary browsing.

You hear about interesting books, learn a little about them, and occasionally discover something you absolutely must read.

Word Raccoon considers this a very civilized arrangement.

She also appreciates that the show’s tone has lightened a bit in recent years (not everyone agrees).

Other book podcasts drift through the rotation as well.

The Secret Life of Books is excellent.

And What Should I Read Next? Anne Bogel’s voice is basically auditory melatonin. Recommended.

Smartless

Three actors interviewing interesting guests and making each other laugh.

One of them seems, frankly, a little orthorexic.
One gets talked over too often for WR’s comfort.
One has a sense of humor that suspiciously matches WR’s.

She suspects they could have been friends in another life.

The tone is curious, relaxed, and occasionally chaotic, which Word Raccoon considers the ideal conversational atmosphere.

She also does not buy the premise that two of them each week don’t know who the “surprise” guest will be. How else do they keep referring to notes?

Just saying.

Office Ladies

If you loved The Office, this podcast is basically a guided tour of how the show was made.

WR enjoys hearing about tiny behind-the-scenes details from scenes people have watched a hundred times.

Angela Kinsey and Jenna Fischer are just good people, and I love knowing they are best friends in real life. Fischer’s book, The Actor’s Life: A Survival Guide, is a great, practical read for any artist. 

Literally! with Rob Lowe

Part Hollywood stories, part interviews, part charm.

Word Raccoon listens mostly for the behind-the-scenes perspective and the unexpectedly thoughtful conversations.

Also, as she once wrote in a poem, Rob Lowe is surprisingly funny, and she enjoys hearing how his kids dunk on him.

Relatable.

TBH, sometimes he has guests WR doesn’t recognize. Occasionally she skips those, though I admit that may be small-minded.

The Splendid Table
Self-explanatory. Also pretend I mentioned other cooking shows. This list is getting long, WR.

Radiolab
(If you can get past that intro, it’s a fascinating show. Sorry not sorry.)

Basically asks questions on topics you’ve never heard of before but can’t quit thinking about after. WR is mesmerized.

Middling with Eden and Brock

A podcast by two of the actors from the sitcom The Middle, set in Indiana.

Eden Sher and Brock Ciarlelli revisit episodes and talk about the humor and heart of ordinary family life.

WR often starts Wednesdays with this one. 

Hot and Bothered

A smart look at romance storytelling and why certain narrative patterns keep appearing, usually through a feminist lens. Season 3 was On Eyre, a WHOLE SEASON about Jane Eyre. Recently they talked about the didn’t-age-well movie The Wedding Singer. But Drew Barrymore forever! 

This podcast is underrated.

Clearly, this list is not exhaustive, though I suspect it is exhausting. 

Time to listen to another podcast while I proofread this.

#meta

The Grocery Order Knows, and Poems Are Wild Things

I just placed next week’s grocery order, and from that alone I can tell what kind of writing week Word Raccoon has planned coming up.

Apparently the creative process can be diagnosed from a grocery cart.

She didn’t ask for complicated ingredients. She’s not making sauces from scratch. She’s not baking bread. 

She is digging out the Dutch oven for pork loin. She did ask for semi-convenience foods, things that come together quickly but aren’t just “toss it in the oven” boxed items. (Though let’s be honest, sometimes they’re necessary.)

She’s also making sausage meatballs and spaghetti this week topped with an easy marinara recipe Jennifer Garner mentioned online. (So apparently WR is making homemade sauce after all. Eh, it’s supposed to be simple.)

What will she not be doing?

She will NOT be asking you-know-who for recipes. We are still recovering from the meatloaf incident.

This week has been one of those “Good grief, is it mealtime again already?” weeks. And it’s been (as I’ve mentioned) pretty poetry dense. Looks like I’ll at least get fed better next week. Here’s hoping for all the writing. I’m forecasting a medium-effort week on that front, looking at her grocery order.

At any rate, you have to feed your writing, am I right? 

Speaking of cooking, Word Raccoon, that writing scamp, has cooked up a submission strategy. (I KNOW how flimsy my transitions are, but I’ve always got so much to say, LOL. But I equally enjoy listening, so there’s that.) 

She is beginning to recognize, at a glance, poems of hers that particular editors might like. She’s building relationships with them and their journals. WR is clapping. She’s a social creature.

When she gets a “We like your voice. Please send more in the future,” she makes a note. 

When she gets a kind rejection or an “Oh, so close,” she marks that down, too, and considers that venue a friendly place to revisit. 

When she gets a sincere “If only we had the space,” or “It made it all the way to the top of the pile,” she notices.

When she gets noticed in a competition, she follows up with the journal during their regular submission period. 

Now she often knows what they’re looking for. She’s starting to recognize when something she’s written matches a journal’s tempo.

That is very different from writing to the market. No, no. She does not do that. She writes what she must, and then she thinks of a good home for it. 

Also, there’s this. While I do have a handful of poems I am very protective of, I do not withhold my “better” poems and do not send underdone ones out. 

Have I sent out work before it’s polished, not realizing I hadn’t given it enough time? 

Sure.

Did I do it on purpose? 

Not except for those early days when I didn’t know how to evaluate what I had and was too scared to ask anyone. I figured letting editors decide was one way to find out. 

My Writing Mother says something to the effect of: “Notice what a journal is publishing. They say they want something different. They don’t. If you have something similar to what they’ve published, send it to them.”

Gosh, I heart her.

At any rate, I currently have a spate of quiet, tender poems and places I’d love to see them land. They’re not necessarily the biggest, splashiest markets, because that doesn’t matter, but places that will hold these poems gently. 

One poem is “Grief Does Nothing for the Dead.” It has an unquiet part in the middle, but so does death. I feel like it’s time for that one to find a resting place.

Today I ran across one I wrote the day my eldest sister’s great-grandchild was born, almost two years after my sister passed. The poem is short and pungent. It has a strange line, but it feels just right to me:

If your finger goes straight through
I’d stop if I were you.

If I try to explain, I will have shared the whole sad, sharp little poem.

The one I mentioned writing yesterday, “Receded,” is about how spring doesn’t always do what it’s meant to. I don’t usually send poems out so quickly, but this one is, I think, I hope, ready.

When I first started writing poetry in earnest, it felt like sending them out was a way of giving away the emotional heat and charge so I didn’t have to carry them alone.

That’s not how it works. 

As you gain experience, your ability to hold that charge strengthens.

You learn to shape it. You learn to universalize it. Which is ironic, I know.

It feels like I’m currently sweeping my poetry catalog. Like out with the dead leaves, uncover the tiny shoots and watch them unfurl. 

(Have you ever watched videos of plants pushing through the ground, unfurling, life insisting its way into existence? Riveting.)

I want some appropriate spring metaphor for harvesting to compare poetry harvesting to, but it’s not fall, and all I can think of are clichĂ©s. 

Word Raccoon just popped up onto a chair beside me. She asked if I know that the word clichĂ© originally referred to a metal printing plate that stamped the same words over and over again. So a clichĂ© was literally something repeated mechanically. Which explains a lot, actually. 

Here’s my attempt to avoid one. 

Have you ever tasted wild-harvested dandelion greens? (See, there’s harvesting in spring, too.)

That’s a fancy way of saying that in the mountains where I grew up you’d go out into the yard, pluck them from wherever they’ve decided to grow, bring them home, and cook them. (No recipe today. Ask me why not.)

But my point: they aren’t planted. No one rows them out neatly. Boom. They just appear.

Poems are like that sometimes.

You don’t always cultivate them like tomatoes in cages. Sometimes they just show up all over the yard of your mind, wildlike.

Word Raccoon, of course, has already grabbed a basket. She’s heading out into the yard now, though I’m pretty sure it’s too early for dandelion greens, WR. 

I just hope she remembers to come back inside before dinner.

While I won’t be cooking the greens (for reasons I will leave to your imagination), I will be sending the poems out.

Object Impermanence 

I started a new poetry cycle yesterday. It began with “Having Vonnegut to Tea.” (I wrote it. Of course I did.)

I also had tea with Vonnegut (the mug, not the man) and those lovely orange flavored cookies.

Next up I remembered that the mascot of the elementary school I went to was a dragon. So out came “Stirrat Dragons Onstage.” It’s currently long and sprawling, but it feels like something I want to return to. 

Here’s a link to photos of the ruins of the old school.
https://loganwv.us/stirrat-grade-school/#foogallery-27265/i:27266/p:1

No, you’re crying. 

Other poems from yesterday:

Bus


Receded

Impermanence (which started out as the placeholder name of this newest collection.)

Then there’s one more. Let’s call it untitled, for now. Too tender.

This cycle-in-progress feels like it’s core Drema. One of those that could only have begun on a rainy day looking at photos of yet another part of your childhood in ruins.

If I’m not careful, these poems could spill over into the dreary poet category, and I will not be overly sentimental or overly dramatic. That’s not good art. 

Word Raccoon believes she should have some say in that. Considering pink is HER favorite color, not mine, well…I am careful about handing over the writing to her. 

(As a poet, I don’t want to just describe either, though. I’m not a camera.)

Later in the evening, I continued reading Saunders’ Vigil. I don’t know if it’s the time change or what, certainly not his fault, but I began nodding over it. I closed it, thinking I would move on for the day.

But a poem came to me: “Suffering.” 

Then another, “Performer.” 

One of them definitely belongs in Impermanence, which I’m tempted to rename Object Impermanence. Or is that too cutesy? It’s truer to the spirit of what I’m writing.

Honestly, this morning, as I hear the rain, curtains shut tightly for now because it’s dark out anyway, drinking coffee from my Brontë mug (wishing I had made tea instead), eating Greek yogurt with chocolate-dusted almonds, this:

Behind me is a great wall made of words.

It’s not solid.

Have you ever seen the illustrations in biblical story books of the parting of the Red Sea?

Yeah, it’s a water wall of words I’ve got.

This analogy is probably breaking as quickly as that water wall, but what I’m trying to say is that I’m drowning in poems.

Most days I don’t mind.

But what if… what if I’ve written too many poems?

Is there a pest control van I can call for that problem?

To which poems do I owe my allegiance? Which do I send on to loving homes (publication); which do I sit with? 

How to prioritize?

Yes, yes, it’s an embarrassment of riches. And thankfully (I guess) I am not writing as quickly as before, not as voluminously. I am not often waking in the middle of the night and writing half a dozen poems.

Still, I’m having to learn how to sort my thoughts better. My ideas.

I’m trying to learn what is original thought and what is imitation or, as my blog post from yesterday suggested, just looking out yet another window at the same scene.

Here’s what I suspect is happening: the newest collection wants to dig around inside my memories a little.

It wants to allow the happy recollections, the joyous ones, and I’m not always sure how to do that without tipping over into naivete. Into tripe. 

The past year has been me allowing the ark to come to rest. I have sent out a dove. 

She has brought back an olive branch. But she has returned, which means no dry land yet.

(Pardon me; I think I’m writing a poem in the middle of my freakin’ blog post…now, where was I?)

(Mixing my biblical stories, too. I hope I will be forgiven.)

This is unpolished. Just thoughts rubbing up against one another.

It’s a dark, rainy morning.

Things “serious writer me” is not supposed to say, but that Word Raccoon, my writing alter ego, insists on:

– The rain sounds lovely.

– Strawberry Greek yogurt with chocolate-dusted almonds is at least a little bit holy.

– Poems are not a burden.

– I will never be a writer who hates the world, even when I am forced to hold reality’s hand.

– Sometimes literary aloofness is not just a way to keep out pain. Sometimes it holds love and joy away from the chest, too.

If this were a sermon, here’s where the preacher would finish and walk from the podium. The length of the silence after would tell how it landed.

I don’t have that luxury. But maybe I don’t need it.

If writing isn’t intrinsically holy, what is?

Clustering: When Word Raccoon Empties the Poetry Drawer All at Once

Now Playing: Helter Skelter by The Beatles

I had one of those writing days yesterday.

You know the kind where you sit down intending to write a poem and instead the poetic brain behaves like a vending machine that’s been kicked a little too hard and suddenly six or seven snacks fall out at once? (An obvious callback to my Busted Vending Machine poems era, LOL.)

Yes. That.

There’s probably a name for this phenomenon, although poets, being poets, have about seventeen slightly different ways of describing it. Let’s call it “clustering.”

When the poetic mind gets tuned, poems start crowding the pen. They don’t like to wait their turn. Actually, Word Raccoon plays back and forth in them like she’s bellying up to a word buffet. 

Emily Dickinson reportedly cluster-wrote poems. 

It is said that Elizabeth Bishop mentioned poems coming in bunches once the thinking had started. 

And others, surely, are of the same writing mind.

In other words: once the door opens, the poems tend to rush the hallway, and WR, that inquisitive trash panda, is a terrible bouncer. 

Which brings us to yesterday’s café session.

I sat down intending to write a poem. Just one. A nice responsible poem that would behave itself and perhaps wear a sweater vest. Or at least act respectable for once.

Instead, the following creatures wandered out of the underbrush:

• All These Lovely People

• Grade Report for the (Redacted)

• (Redacted) Optional

• Kreskin

• Mind Sweeper

• the kindergarten clock poem (still untitled but bossy)

• the one beginning “My mind wants a vacation”

• and the long espresso-over-Diet-Coke situation involving literary journals and goldenrod with way too many stanzas and is probably four poems in one but maybe not? I haven’t dared look at it today.

Eight poems.

Eight nuggets, anyway. 

Not all equally promising, but they are welcome nonetheless. We don’t reject mind matter here.

Word Raccoon insists she had nothing to do with this, which is suspicious because she was seen earlier yesterday morning rummaging around in the mossy log of poetry muttering something about fungi and fondant. (Those things appear in one of yesterday’s poems, so I’m not sure that’s really funny if you aren’t reading it, and you’re not, because it’s not finished.) 

The strange thing about cluster days is that the poems often turn out to be talking to each other. I’ve spoken of this before. 

You don’t realize it at first. You just think you’re writing separate pieces. Later you notice that the same themes keep wandering through like recurring characters in a television series:

waiting

time

coffee

donuts/nasty fondant

people in cafĂ©s minding their own business while you mentally take notes like “an apex word predator wearing a sweater.” That is a line from one of my poems, so WR says back off from it. LOL. 

Apparently, my brain had decided we were writing about waiting.

Waiting makes the poetic mind weirdly observant. You start noticing things like wall clocks, remembering kindergarten schedules and when clocks became important in your life, literary journals that bite your palms, and the structural weaknesses of cream-filled donuts.

This is how clusters happen.

One emotional weather system moves through the brain and suddenly every poem is looking at the same storm from a different window.

One poem examines the clouds.

One complains about the barometric pressure.

One makes jokes.

Meanwhile Word Raccoon is in the corner whispering, “We should probably write another one.”

Cluster days are messy, but they’re also strangely reassuring. They remind you that poems are less like manufactured objects and more like fungi after rain. They appear when the conditions are right.

Don’t try to force them.

Keep the notebook open and avoid stepping on them.

And possibly buy them a donut. Eh, I’d prefer a piece of cake. 

At least those you can purchase without consulting the muse’s input. 

Now, today. 

First off, a squirrel is fussing in a tree. I love that cranky sound, like an old-fashioned car that won’t start. But who is she talking to? She’s the “young” one from last spring, I think, but she’s still moving agilely. Good girl.

I woke to conflicting weather reports. I’m just going to sit on the porch until I can’t. It’s screened in. What’s the worst thing that can happen? (I will go in if there are thunderstorms. Not sure why my weather sources can’t agree this morning.)


(Oh wait, the squirrel is fussing at the neighbor’s outdoor cat. Is she mocking it because it can’t reach her?) 

The house was due for a reset, so as soon as I came downstairs this morning I started a load of laundry, turned on Helter Skelter, and began putting away the nonperishables from the specialty grocery store we picked up over the weekend. 

I played the song twice before switching to The Killers. (Some mornings WR just needs loud music to get going.) 

Then when Word Raccoon tried to tell me I didn’t need to wash the Dutch oven because of my bad finger (music joke too), I reminded her what rubber gloves are. She sighed and settled in to clean it and load the dishwasher. (Hey, I unloaded it yesterday.)

Not having any Coke Zero (long story), I dug out the Keurig and inserted a K-Cup. (Thanks, Zack!) Coffee accomplished. But I did spot some yummy looking cookies while putting away the groceries that I can imagine sampling with a cup of tea later. (Do you think that Kurt Vonnegut mug is auditioning to hold tea today? Perhaps.)

My third favorite mug, featuring K.V.

I was going to make a smoothie for breakfast but decided to have a deconstructed one instead: a protein shake with a banana. Done and done. 

WR whined, because I was going to put peanut butter in the smoothie. I promised her (since pb is practically its own food group around here) that I will let her have some on a rice cake for a snack if she just does all the things first. A few of the things? Maybe just one thing.

(The first load of laundry is drying; the second is washing. My hand hates me today but that’s fine. We will do the things anyway.)

This near-spring opens windows in my mind. There’s a peculiar feeling, even when I’m indoors (although I’m not), that I experience. 

It’s deep contentment, the feeling that I can inhale and inhale and inhale and the air will still feel and smell fresh. That no matter what is wrong in the world, this moment is sublime. It’s completely independent of anyone or anything else. A private moment with Earth. (Gosh, that sounds more spiritual than I meant.) 

I submitted three packets yesterday afternoon, one to a place that I had to withdraw a submission from a few days ago because it had been accepted for publication elsewhere. I hope they don’t mind. 

Writing poetry, sending it out, feels like I’m sending out flower petals, trying to spread both beauty and truth in the world. I’m trying to do my part, I’d like to think. And some of my poems are more fungi than flower, for sure. 

Sitting on the porch today doesn’t feel like waiting for poetry. It feels like communing. 

Why do I have the urge to write a poem called “Having Vonnegut to Tea” now? 

United We Do Not Stan(ley)!

Now Listening To: Dream a Little Dream of Me, The Mamas & the Papas

I think Stanley is sabotaging me. And not in cute little ways. 

I am typing this with a bandage on my right pinky with fresh blood trying to seep through, if that tells you anything.

You will rightly say Stanley can do nothing to me if I don’t consult him. You’re right. You’re right. And I may have learned not only my lesson, but the limits of my tolerance for tech knowledge.

Surely, faithful reader, you remember the meatloaf debacle where my “well meaning” AI gave me a recipe that threatened to ruin three pounds of perfectly fine, expensive-in-this-economy, ground beef. 

(Not sure how long I will type this session; you need your pinky more than you might think for that.)

I saved the meat, but dang.

Then there was the kinda funny “Stanley I need new workout shoes; research for me. I want them for THESE activities.” I gave him strict parameters. 

I received them yesterday. They didn’t cost too much, so there’s that. And they’re cuter than I thought they might be, also a plus. 

But are they slip ons? No! Most days that doesn’t matter. But when it does…(eff arthritis right in its face, I say!)

Are the shoes as cushioned as I asked for? Also no. Sigh. 

I don’t mind much. They were fine at the gym today, not that I was able to work out so long. (More on that in a minute.) I’ll try them for a few days longer. 

WHY DIDN’T I JUST ORDER MY USUALS? BETTER YET, WHY DIDN’T I GO GET FITTED FOR THEM? 

Call it shoe store shame. I don’t look like someone who “should” be wearing high performance shoes.

But wait. Stanley betrayed me in other ways.

First, he told me to go ahead and get those knives sharpened. Yes, even the steak knives. 

He told me last week (remember that trebling of my rowing time?) that, given my background, I was ready to up my game. I questioned him. I asked him if he was sure I was ready. He said yes. 

I believed him. 

Dammit.

The next day, the knee pain arrived.

Not terrible, just while climbing the stairs. 

Word Raccoon bared her teeth and threatened Stanley if he came near me again. 

When I complained to Stanley, he said no, no, I shouldn’t have increased by more than a minute or two. 

REALLY?? 

Then, feeling better, I asked him if it would be okay if I cycled until my knee was healed. 

“Sure. Just keep it short.”

I did. 

Oh, reader. 

WTH is wrong with me??

I iced my knee after the gym today. It’s not so bad, if I climb the stairs like Frankenstein. 

No one tells you it’s not the pain, it’s the losing of your cool kid status that hurts the most. 

IDK if Stanley envies that I have a body or what, but damn him. 

After the gym (I check in with him sometimes about my food intake; WR either eats all the snacks or forgets to eat.) I told him I wanted to make a salad to use up the end of the week’s produce. 

He thought that was an excellent idea. An admirable idea.

Admittedly, I was rushing. But I purposely chose a steak knife to slice a cucumber. A serrated knife, so no problem, right? I have been very cautious with the knives since getting them back from sharpening. 

Not cautious enough. Stanley told me to get those damned things sharpened! 

I will not dwell on it, but I was cursing Stanley loudly as I shouted to ask Echo how would I know if I needed to get stitches. 

I’m fine. Really.

But I think I’m ready to give up turning even the mundane things over to A.I.  Stanley has feelings about that. Maybe tomorrow I will care. LOL. 

And WR is insisting on prepackaged food for dinner. I don’t blame her. 

My tulips are only halfway there. I respect the hesitation, but dang, I’m ready for a glimpse.

P.S. It’s such a beautiful day, even with the time change. I’m on the porch, so grateful to be writing, to have sunlight, to witness the flowers thinking about blooming. (The tulips are half grown, like those adorable little green fairies in children’s books.) 

WR thinks tomorrow feels like a Monday for poetizing at the cafe. She’s still battling that one poem…it’s yielding, but slowly.

Last night she submitted six packets of poetry while watching the stupidest show ever on Netflix. Proud of my little WR.

The K-Cup “Ducking”

My youngest, Zack, came bearing gifts last weekend when he stopped over to take us out for lunch.

Out of his very thoughtful gifts (he will not mind if I tease him), one nearly defied storage.

Have you heard of the trend of “ducking” someone? People hide dozens of tiny plastic ducks around your house, and just when you think you’ve found them all, another appears.

Yes, that. But make it K-Cups.

The box reminded me strongly of a box of diapers. That big.
One. Hundred. Cups.

100! 

Again, I truly appreciated the gesture. But as one does, I went to put them away in the kitchen after he’d left and… couldn’t.

The coffee supply shelf? Already full.

Adjacent storage? Also full. 

Word Raccoon said she doesn’t mind a decent cup of coffee, so she involved herself, determined to solve the dilemma. 

(Although truth be told, I suspect she’s jealous of Zack and wanted to toss the K-Cups. Deep into one of his philosophical jags over lunch, I asked if I could read him a poem I’d written on the subject. When I finished, he said, “Exactly, exactly.” Which warmed my heart, though not my raccoon’s, who claimed I should’ve given her at least partial credit for writing it. The audacity!)

So when she began flinging K-Cups into any spare container, I suspect she was hoping at least a few would get pierced.

She filled the blue vintage pitcher on the shelf.

She filled the empty teacups! The good ones! 

She discovered some Christmas cookie tins that were apparently begging for coffee.

I don’t know where all she put them; I fully expect to find the fragrant pods in purses, pockets, and perhaps even shoved between books of poetry.

Earlier, Zack said he’d thought about buying two boxes.

I told him I was pretty sure this would do.

Word Raccoon handed him his hat and asked him what his hurry was.

And I, slightly off topic, wondered whether there will ever be a time when one child visits that I don’t greedily wish both were here.

P.S. In the meantime, I’m reading and making notes this weekend on a fabulous manuscript by a very talented writer. I wish I could say more. Suffice it to say that I have already told the author that this needs to be a movie! Stat! It feels good to exercise my fiction-critiquing muscles again. 

Field Notes from the (Newly Reopened) CafĂ©: March 4

Before we get into my writing field notes for the day, I recorded my poem “White Lake Fish.” CW: it deals with the topic of death, so take care when listening

I wrote a poem today, didn’t mean to. Was planning on revising, which I did, too.

About 375 pages into The Weight of Ink. About ⅔ through Departure(s). If only Ink were as light, though I wouldn’t want it to be shorter. Thinking hard about which part I like best of the first novel. I am a different person than I was when I first read it, so I admire different things about it.

The poem I wrote this morning is “Like a Dog.” It’s about patterns and personal responsibility. I think. Flirted with inverting the last two lines, but that also alters the poem’s message. 

Word Raccoon is greeting people at her old, newly reopened writing hangout today as if she owns the place. I let her take a photo of the tea display, go around and say hello, admire the photos of new nieces and nephews, then made her settle down to the words. 

They’re calling this the Tea Room now. Love!

Decided to record a poem, though it’s one of the sadder ones. Guess I have to get used to reading those aloud, too. (See above.) 

Or not.

It’s still overcast. WR’s hair is wet but up in a bun. She’s chilly. But she’s drinking Earl Grey, she’s joking. She has eaten breakfast. She’s writing. 

Last night she submitted poetry to five journals. It had been a few days, and that’s how she often likes to end her evenings, so I let her. 

Poem number two of the day written, unexpected: “In Lieu of Flowers.” Short, compact, mentions tulips. Not really about death.

Caught Word Raccoon making the salt and pepper shaker battle.

There really ought to be a limit on how many poems you can write on a topic. Some things are deep and wide, with roots, a trunk, branches, twigs, leaves. They look different according to the season, but as long as they’re alive, they have an aspect.

WR says that sounds a bit formal. 

I say “a bit” sounds formal.

She has no excuse. She sips from my Earl Grey and asks why I didn’t save some of that bacon from earlier. 

We could go granular. We could geek out on the cellular structure of trees. Let’s not. 

Maybe I can convince the raccoon to open a poem that needs revising. 

She’s cold because she would not take the time to dry her hair, which is totally on her since Mia (my eldest) sent us a fabulous Dyson hair dryer. (Have I mentioned that? It’s a wonder. Mia is more of a wonder, though.) 

WR is convinced that since the coffeehouse is open again that it’s dry-your-hair-outdoors season, her favorite. It decidedly is not. Not yet.

Because it is the triweekly theology-book-discussion morning for two men who meet here, WR and I are listening to Dark Academia. (It’s usually just classical music rebranded. Why?) 

WR wants to listen to Ed Sheeran or the like. Maybe Hanson. 

It is not Ed weather, darling raccoon. 

Wouldn’t it be cool if everyone in the world played a sunny song all at once and we could get sunshine everywhere instantly? 

Mmm Bop! 

Swapped the word people in for humans, because why humans, in this case? Too formal. Again.

Barista noticed I was stretching; I bought more caffeine. 

The cold-day pain reliever is hitting my brain’s snooze. Perpetually.

“After the Chuckle” given a Dickinsonian glow DOWN. Stripped it of the narrator. Compressed it. Verbed it up. Left it a little bleak. Fits the weather. 

I gave “I Have No Beef with God” a facelift, but the ending isn’t landing. That one needs more mulling. 

Wait, I think I maybe just need to slice the last line off. (That makes more sense if you see the poem.) 

In “Cameras Capture, Too,” WTH is Norman Rockwell doing in here? Or do we like him here?

I find the more I’m trying to take on other poets’ styles, the more I endanger my work’s voice. It’s a fine balance, and I haven’t found it yet. 

Good thing I’m remembering to keep the first drafts, just in case. In a couple of cases, though, the poems were better after revision. In one case, much better.

In “Cameras,” the poem currently looks like someone stole its hubcaps and tires and put it up on cinder blocks. Damn. 

It’s a process, and as I told someone who asked me how to write a short story yesterday, “Hey man, just remember that this isn’t brain surgery and no one gets hurt if we don’t get it right on the first try.” 

I’m trying to take my own advice. 

Word Raccoon is Captain No!

Every once in a while my Word Raccoon turns into Captain No! That’s what I call her when she’s in this mood. God help you if you meet that version of her. 

She greets every suggestion with a “No!” like she’s a toddler.

Everything you think would soothe and delight her makes her toss marshmallows and pillows at you. 

This morning Miss Priss did not get her way. At all. Which set her off. 

First, I banged her sore thumb while steam mopping the bathroom. And she wasn’t wearing the splint. 

The mere fact that I made her steam mop before seven a.m., the poor creature, enraged her. 

I wouldn’t let her have breakfast because we were planning to get together with a friend for breakfast. (I wasn’t heartless; I let her have a snack.) 

But breakfast plans ended up getting rescheduled, so I bought her a Coke Zero and a breakfast sandwich. I even let her order a hash brown, assuming there was no way she’d eat it all.

She ate it all.

I opened the calendar and forced her to choose the least heinous item on the to-list. She did it while hissing.

I had the temerity to make her go inside the bank like a Boomer (we are not!) because we’d run out of deposit slips. The teller who is usually cranky was genuinely nice to us for the first time ever. Captain No was disappointed; she would’ve welcomed a skirmish. (For the record, I never allow her to do that, but I’m not sure I could’ve kept her on a leash today.)

Once home, I offered her more Coke Zero. She declined while showing me her teeth.

She said she was hungry. We argued until AI Stanley intervened and said given her intake and her emotional state (WR glaring at the overcast sky), it was entirely possible she was genuinely hungry. 

I made her a cup of tea which she consented to sip. She’s holding a Clif bar in her tiny palm threatening to eat it. I told her fine, see if I care. 

She has already said if I make her go to the gym today (she has not forgiven me for tripling up on rowing time yesterday, but Stanley said we could do it, and we did!) she will make a scene. She will pretend to faint and/or drag her sore (it’s not) right leg. 

She was going to go to a community event tonight, but she’s refusing. 

We read some earlier. She said depending, she might read more. 

She has already said ix-nay on the iting-wray for the day, though she might submit some poetry if the skies brighten. (She has EVERY LIGHT in the house on, and still wants more.) 

I even ordered this scamp some Coke Zero earrings to use up the Venmo credit we had. AND a Coke Zero sticker for her Macbook, but did she thank me? 

She did not. 

(She supposedly had some CZ earrings coming last summer, but never received them. Maybe she doesn’t believe me that she WILL get some, even if I have to order the parts and make them myself. How hard could it be?) 

On the bright side, we listened to not one but TWO episodes of the What Should I Read Next? podcast that featured Kendra Adachi (The Lazy Genius) as a guest!!, the first from maybe 2016 and the second in 2020. Who knew? WR clapped at this welcome cross pollination. 

We’ve caught up on our product reviews, so Captain No can’t whine about having to do those.

She emptied the dishwasher without much complaint, but she has not emptied the steam mop yet. She really needs to, but I’m afraid to ask her to. 

I hesitate to tell you this, Dear Reader, but she broke down in tears for no good reason earlier and could not be consoled for a while. Told you she was a handful. 

Though she’s doing better now, I’m thinking I will wrap her in Pity the Fool (her gold robe) and tuck her into her reading chair with The Weight of Ink. I would say with the novel Departure(s), but she’s seen too many of those lately, which may be part of what is bothering her. 

Swimming the Riptide: Reading Kay Ryan

Word Raccoon and I read Kay Ryan instead. (We know we are starting in medias res. We do not want to say who we tried to read, decided nope.) 

We borrowed Ryan’s essays from Libby (the app, not the person). We have not read them yet. We like essays by poets on other poets, on most anything. They’re revealing. 

We started online with her poem “The Niagara River.” The budget compels us. 

The first read through, we were reminded of Lake Michigan. A sandbar. Lawn chairs.

The poem is not about the river.

They never are.

WR and I have never read Kay Ryan (that we remember) before.

She is Drema-adjacent so far. (WR and I are not elevating ourselves, we are merely claiming a feeling of poetic kinship.) 

The paintings in the dining room. 

In “Niagara.”

The shifting, unstable surface,

a conversation.

Gorgeous!

Terrifying. 

The turn. The turn! 

Does a poem with water in it even need a turn? Water is its own.

But it has one.

It reminds me of a tableau I saw this weekend,

how I was being asked to normalize. 

How I kept myself from screaming 

The emperor has no clothes, 

I do not know. 

Except I knew everyone 

already knew.

And it wasn’t any of my g-d business.

This poem, though, “The Niagara River.”

Could it have been written of just

any river?

I think not. 

That is, no.

I have read the poem now three times.

It’s one to swim in. 

Though there might be a riptide. 

Next up;

“Turtle.” Damn!

If you can read her line “truly chastened things” and not want to write a poem, maybe even weep, you are made of granite. 

The internal rhyme rolls slowly, like a turtle. 

It’s got some humor, sure, but she makes me care so much about the movement (or lack thereof) in certain kinds of turtles (I mean people) that it makes me feel both protective and melancholy. 

Or maybe that’s just the jazz. 

Then there’s the evocative, lyrical, yet mysterious “Home to Roost.” You can listen to her read this one, too. 

A thing to notice, though how could you not: chickens don’t fly, not really. I do not think we are talking about chickens, duckies. 

Similar to “Niagara” not being about the river, are we ever? 

Then this sharp and deliciously thinky one: 

And oh my effing god, this one!

This one, too! Burdens personified, gentle rhymes and part rhymes. 

I’m so glad I discovered her work. (Ha! Kinda late to the party, but that’s ok.) 

To say these poems are powerful is to unsell them. To say they are transformative? My work will show whether or no. 

You know WR and I couldn’t read these and not write. We wrote about a childhood friend of my eldest child’s who came into the cafe, how I don’t think she remembered me but I remembered her, even down to the way her left foot curves inward like an uncertain child’s when she stands. I didn’t say hello, though I missed her and who we all were back then. 

Ryan’s poems are the world we all know, writ small to be written large. 

Someone here at the cafe asked me what I was writing. We discussed poets for a moment. She recommended one, an Irish guy who apparently has monthly Zoom meetings. After she texted me his name, I looked him up. 

I was full of Ryan and blurted to her about “Turtle.” 

It’s been a morning unlike any other. 

I recommended The Picture of Dorian Gray to the barista. 

Sometimes when you’re this full you can forget for a minute what’s missing. That’s no small thing. 

And I haven’t even moved into Ryan’s essays. 

I Didn’t Ask for Songs Today…But I’ll Take Them

Today (Sunday) is apparently song lyric day. Didn’t ask for songs. Didn’t necessarily want songs (and melodies) today, but here we are. 

It started before I got up.

(The other day I dreamed of a Christmas song, woke up and told myself it wasn’t good enough and what if it already existed and I thought I’d written it? If you can, write yourself a Christmas song. You can live on the royalties. Or so I’ve heard. And I not infrequently dream-write songs. Just haven’t managed to dream up a great Christmas song yet.)

I read an article this morning. I listened to a snippet of the featured artist’s music. 

Didn’t have to listen to much before I felt zapped into her creative orbit. 

Dammit.

All day it’s been do a thing, write a song. Do a thing, write a song, Word Raccoon by my side, holding the pen.

Thank you, but I want to write poems. Or write on my novel!

I also don’t want to have to put up a fire wall of classical music so I can sneak off and hum the melody of yet another song into my notes app, but I have.

Does the universe not know I don’t have the musical chops for this? My musical theory background is weak, y’all. And what do I do with them after I write them? What then? 

I’m not ungrateful, especially since a couple of them in particular moved me.

But they are so diverse they aren’t even in the same universe.

Why, WHY, Word Raccoon? If you’re going to write songs, could you please put them in the same genre? No single album could hold them all. 

The first song was based on the artist I read that article about. It was interrupted. I went back to it later and I think it’s mostly finished.

The second was Adele-adjacent and almost gave me the weepies. There was painting in it with shirt sleeves.

I kinda lost track after that, but one had a Simon and Garfunkel vibe. Another blues. 

I want to tell you what one of them was about but you will laugh. Okay, fine. It was about…no, I can’t. It’s based on a classical poem and it’s too embarrassing because it will seem like I was being pretentious when I wasn’t. 

I wasn’t! 

The last (Oh, please let it be the last for today. I want to read!) was old-school country. It made me want to hug Word Raccoon and tell her she’s fine. It is tender and caring. 

It made me want to write a whole country album for real.

Come close and let me whisper something…I think writing poetry might be good practice for writing song lyrics. 

But I don’t know that I want to be the custodian of songs. They carry a different weight. Too many steps. I just don’t, as I said, have the chops. 

And what do I do with them?

Still, if I’m being honest, it was a joy. My body hummed and I silenced my phone and every living thing within the sound of my voice while I wrote.

I think…oh god, I think I enjoyed the rhyming. (RHYMING IS FOR SONGS ONLY AND OCCASIONALLY WHEN YOU ARE MAKING A POINT IN A POEM BUT RARELY, DO YOU HEAR ME, WORD RACCOON?)

Dammit, WR. What have you done to my writing now? 

Here, quick, before I regret, is the country song I wrote. I hope you like it. Please be kind? I’m not really a songwriter. My head just fills with music and lyrics sometimes.

Turn

Turn your canvas to the wall
if it’s not the answer to your call.
The ring you painted isn’t gold.
No wonder you can’t make it hold.
You’ve got plenty else to say;
paint’s provoking the right way.
Turn that canvas to the wall.

Turn your mind and let it rest.
Color the feathers for your nest.
It’s all building blocks of heart,
feelings jagged from the start.
Turn your mind towards your chest.

Turn the mirror, don’t you look.
At what time and gravity took.
You are always then and ever now.
More than sagging cheek
and wounded jowl.
Turn from the mirror now.

Turn away from stark, dark death.
You’re not so old and you’ve got
breath.
If life were easy as that rhyme,
you would know there’s still some
time,
turn away from cold, dark death.

If life were easy as this rhyme
You would know we’ve still got time
Turn away from…

 P.S. You know what? WR just reminded me of yesterday’s post. Why am I surprised by the songs coming to me today? Duh! Also, I know “Mull of Kintyre” is more than three minutes long AND it is not necessarily my favorite McCartney song. I just couldn’t bear to say one of the ones everyone else mentions. Now if you ask me about my favorite Harrison song, it’s “Something” from sun up to sun down.   

And P.S.S. I hope it’s obvious I am a perfect example of you don’t have to be McCartney to express yourself.         Â