Drēma Drudge suffers from Stendhal’s Syndrome, the condition in which one becomes overwhelmed in the presence of great art. She attended Spalding University’s MFA in Creative Writing Program where she learned to transform that intensity into fiction.
Drēma has been writing in one capacity or another since she was nine, starting with terrible poems and graduating to melodramatic stories in junior high that her classmates passed around literature class.
She and her husband, musician and writer Barry Drudge, live in Indiana where they record their biweekly podcast, Writing All the Things, when not traveling. Her first novel, Victorine, was literally written in five countries while she and her husband wandered the globe. The pair has two grown children.
In addition to writing fiction, Drema has served as a writing coach, freelance writer, and educator. She’s represented by literary agent Lisa Gallagher of Defiore and Company.
For more about her writing, art, and travels, please visit her website, www.dremadrudge.com, and sign up for her newsletter. She’s always happy to connect with readers in her Facebook group, The Painted Word Salon, or on Instagram, Twitter, and LinkedIn.
Drēma Drudge suffers from Stendhal’s Syndrome, the condition in which one becomes overwhelmed in the presence of great art. She attended Spalding University’s MFA in Creative Writing Program where she learned to transform that intensity into fiction. Her first novel, Victorine, comes out March 2020. For more about her writing, art, and travels, please visit her website, www.dremadrudge.com, and sign up for her newsletter.
In 1863 Civil War is raging in the United States Victorine Meurent is posing nude, in Paris, for paintings that will be heralded as the beginning of modern art: Manet s Olympia and Picnic on the Grass. However, Victorine s persistent desire is not to be a model but to be a painter herself. In order to live authentically, she finds the strength to flout the expectations of her parents, bourgeois society, and the dominant male artists (whom she knows personally) while never losing her capacity for affection, kindness, and loyalty. Possessing both the incisive mind of a critic and the intuitive and unconventional impulses of an artist, Victorine and her survival instincts are tested in 1870, when the Prussian army lays siege to Paris and rat becomes a culinary delicacy.
Victorine is a compelling rendering of the life of a model working for Edouard Manet in the 1860s, who longed to be a painter in her own right. In this book, you will feel paint flow onto the canvases of Manet, Monet, Degas, Morisot, Stevens, Meurent, and others. You will imagine life on the streets of Paris in all its beauty, harshness, and fragility. And you will see a relationship between painter and model unfold with remarkable clarity and sensitivity. Victorine Meurent s body is the vehicle for Manet s artistic vision, while her robust courage, irreverence and honesty, and her longing for her own agency, shapes the painter s vision. The intimate collaboration between two artists creates life-changing revelations on both sides this dance of color and light complicated, sensuous, and intense. –Eleanor Morse, author of White Dog Fell from the Sky
The model for great impressionist artist, Manet, the sassy, sexy, smart and artistic Victorine is as vivid as his best paintings. Yearning to paint herself, she questions Manet and his artist friends closely annoyingly about what they paint and how they paint it, treating the reader to a sequence of fascinating exchanges about art, its creation and demands. In a gallery of episodes, narrated in the gaudy, evocative voice of the protagonist, author Drema Drudge renders Victorine Meurent from flesh to soul. Applying bold strokes of language, Drudge animates the story of a life lived at high intensity sparkling, inventive, imaginative, ambitious a totally original life. You can t help but love them both. –Julie Brickman, author of Two Deserts and What Birds Can Only Whisper
1. What or who inspired your novel, Victorine?
2. Have you always been interested in art? How has this informed your writing?
3. Do you think you would have written this if Victorine Meurent had not been both a model and, eventually, an artist?
4. Tell me about the writing process — how long did it take? Where did you write your novel?
5. What did you gain emotionally or intellectually from writing this?
Book Clubs Welcome!
If you have a book club, a literature class, or similar group nearby, I’d be thrilled to stop by and join the discussion. I love my readers! I would also be happy to set up a Skype or Zoom session if I can’t get to you. Or email me some questions to answer: firstname.lastname@example.org.
Look for more (such as book discussion questions) to come!