Hubby Barry and I recently visited Louisville, where we participated in the Spalding at 21C: Voice and Vision reading at the 21C Museum Hotel, along with four other talented writers. Besides me and Barry, the lineup included Misha Feigin, Ellyn Lichvar, Alan J. Naslund, and Vickie Weaver. Celebrated author Sena Jeter Naslund emceed.
When the award-winning poet Misha was introduced at the reading, I remember thinking, “Why was I invited? I don’t have nearly his credentials.” Since I was the last to read, I was pretty nervous, but the crowd was so welcoming I quickly felt comfortable, even though such wonderful writing came before me.
Because of copyrighted artwork in the reading area, Barry and I didn’t take photos of our actual reading, but we did catch some shots beforehand.
Barry read from his novel-in-progress, and I was delighted as always at his lyrical language. Filigrees of cigarette smoke? Yes, please!
During the event, I did my first public reading from Victorine, my novel which is forthcoming from Fleur-de-Lis Press this year. I felt almost possessed by Victorine during my reading, she who is remembered by history as Manet’s favorite model, although she went on to painting success herself. I have no illusions about who’s in charge of her story (she is!), and I’m honored to be a part of the process.
We enjoyed this colorful display, only one of many intriguing exhibits. And yes, that’s Mr. Barry D. humoring me by standing before this.
The next day we drove on to Nashville, where we visited the renamed Frist, now the Frist Art Museum. We went specifically to see the Frida and Diego exhibit. Please try to get there, if you haven’t already!
If you haven’t noticed by now, I am drawn to strong female figures. Victorine is certainly one, as is Frida. It seemed natural to me to go from reading about Victorine to viewing Frida’s dynamic paintings.
May 24–September 2, 2019
Frida Kahlo, Diego Rivera, and Mexican Modernism from the Jacques and Natasha Gelman Collection
Frida’s strokes are measured, while her colors are freely sprinkled. I like her restrained style, because her subject matter and her use of tones are so extreme that if she had used thick paint or wild brushing, it would be too much. Her manner of painting also tells me something I suspected: she comes across as passionate beyond compare, and she is, but she also controls her image. Nicely done, Frida. Nicely done.
Barry and I also made a stop by the Speed Museum with a dear friend while we were in Louisville, and The Frist had a surrealism exhibit as well as the Mexican Modernism, but those are both topics for another post.
Have you seen any of Frida’s paintings in person? If so, what did you think of them? Do you agree or disagree with my take on her work?